“The physical space that we inhabit on stage, in terms of the theatrical environments of the Paris opera house, and all the nooks and crannies of it, that’s changed completely from what the original design was,” says Sklar-Heyn.īut while the design has changed, it also comes from its own place of history. Much of the change comes in the design and direction for this new version. With so much carry-over from the original production, what’s new? Making his way from substitute stage manager to associate director over the years, Sklar-Heyn is touring show director Laurence Connor’s right-hand, ensuring his vision is executed each night. “It was one of the first jobs I had in the industry, and I was very lucky to sort of fall into it after knowing the right people at the right time.” Associate director Seth Sklar-Heyn began his career with The Phantom of the Opera at age 19 “I started on the production in New York when I was 19 as a substitute stage manager, and I would come into the building on weekends, and school breaks, and over the summer, whenever they needed coverage,” he says. He’s been working with The Phantom of the Opera for nearly 20 years. “The iconic images that people have come to know of Christine Daaé in the white negligee being led into the Phantom’s lair, all of that is still present,” he continues. So, everything that you know, or have heard about, it’s all there.”Īudiences familiar with the show may also recognize the costumes. “The score has been maintained, the characters have been maintained, the story has been maintained. “Before we talk about the differences, it’s good to acknowledge the consistency,” says associate director Seth Sklar-Heyn by phone from New York. It is this version set to arrive in Vancouver next month. While most productions have remained faithful to the original, in 2013 a North America tour got underway featuring a newly reinvented production from mega-musical producer Cameron Mackintosh. Spawning countless productions around the world, it has been translated into numerous languages, and produced in over 35 countries. First opening in 1988, Andrew Lloyd Webber’s The Phantom of the Opera remains the longest running musical on Broadway.
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